The central hub of everything made by one Noel Thingvall. Mostly podcasts and blogs with a geek theme, occasionally some surprise diversions. Enjoy, and feel free to comment on older posts!
December 3, 2011
November 26, 2011
November 19, 2011
November 12, 2011
November 5, 2011
November 2, 2011
October 31, 2011
We Have Such Sights to Show You: A Dissection of the Hellraiser Franchise
Previously published at Hope Lies.
The Original
Exploding onto the horror scene in 1984 with the first volume of Books of Blood, Clive Barker didn't wait long to make the transition to film, writing the screenplays for Transmutations (1985) and Rawhead Rex (1986). Dissatisfied with how the films, both directed by George Pavlou, ultimately turned out, Barker decided to take his own turn in the director's chair. He settled on an adaptation of his novella, The Hellbound Heart, pulling together his own funds and additional income from a distribution deal with New World Entertainment that left him with a budget of around a million bucks.
Hellraiser (1987) is about a man named Frank (Oliver Smith and Sean Chapman, respectively in and out of makeup). Frank is a pervert and a sadist who's traveled the world looking for new thrills and sensations and acts of depravity. One day, he arrives for his brother's wedding only to deflower the bride on top of her wedding dress. He leaves before the ceremony and the indiscretion is never discovered. During another adventure, Frank comes across a puzzle box known as the Lament Configuration, which opens a portal to the dimension of the Cenobites (led by Doug Bradley in an unnamed role that's never referred to as Pinhead within the films themselves), priests of the art of taking pain and pleasure to such extremes that both fuse together into a single eternal sensation.
The Original
Exploding onto the horror scene in 1984 with the first volume of Books of Blood, Clive Barker didn't wait long to make the transition to film, writing the screenplays for Transmutations (1985) and Rawhead Rex (1986). Dissatisfied with how the films, both directed by George Pavlou, ultimately turned out, Barker decided to take his own turn in the director's chair. He settled on an adaptation of his novella, The Hellbound Heart, pulling together his own funds and additional income from a distribution deal with New World Entertainment that left him with a budget of around a million bucks.
Hellraiser (1987) is about a man named Frank (Oliver Smith and Sean Chapman, respectively in and out of makeup). Frank is a pervert and a sadist who's traveled the world looking for new thrills and sensations and acts of depravity. One day, he arrives for his brother's wedding only to deflower the bride on top of her wedding dress. He leaves before the ceremony and the indiscretion is never discovered. During another adventure, Frank comes across a puzzle box known as the Lament Configuration, which opens a portal to the dimension of the Cenobites (led by Doug Bradley in an unnamed role that's never referred to as Pinhead within the films themselves), priests of the art of taking pain and pleasure to such extremes that both fuse together into a single eternal sensation.
October 29, 2011
[Unfulfilled Hopes] Deader
Previously published at Hope Lies.
Last month, fellow Hope Lies contributor Rob Girvan wrote a great piece about the direct-to-video market and the occasional gems that can be found within. One of the more interesting aspects of the direct-to-video system is how completely original projects can be retooled under a brand label. Sometimes a completed film will simply have its title changed, as with 8MM 2 or several of the Wild Things entries. Sometimes, as with a few of the American Pie spinoffs, scripts will be bought that can easily be revised to tie them into the franchise. Heck, this isn't exclusive to direct-to-video, as none of the four existing Die Hard films featured the character of John McClane in their original incarnations.
Last month, fellow Hope Lies contributor Rob Girvan wrote a great piece about the direct-to-video market and the occasional gems that can be found within. One of the more interesting aspects of the direct-to-video system is how completely original projects can be retooled under a brand label. Sometimes a completed film will simply have its title changed, as with 8MM 2 or several of the Wild Things entries. Sometimes, as with a few of the American Pie spinoffs, scripts will be bought that can easily be revised to tie them into the franchise. Heck, this isn't exclusive to direct-to-video, as none of the four existing Die Hard films featured the character of John McClane in their original incarnations.
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